Some autumn inspiration from Frank, to accompany a few beautiful photos that capture "Autumn In New York".






Who knew that stainless steel and wood looked so good together?
Dansk has, for fifty years. They've been making classic modern teak pieces since the Mid 20th century, and are still making classics for the future. http://www.dansk.com
I was intrigued to read on "iwatchstuff.com" that Ingmar Bergman's estate is being auctioned off this month via Bukowski's Auction House. Personal items ranging from photos, awards, Mid-20th Century modern design home furnishings and accouterments, old cameras, collected artworks, movie posters, the clapperboard used for filming "The Silence", and what is believed to be Death's chess set in "The Seventh Seal", are on the block. Being a Scandinavio-phile, this fascinates me and I only wish that I could bid on something from this amazing collection. Anyone who enjoys Bergman's films, or just Scandinavian design and collectibles, would be interested in seeing these auction items even if bidding is out of the question. Be sure to click on "Browse The Catalog" on the side menu to see the entire collection, it's incredibly personal to Bergman and many interesting items of 20th Century days gone by are included. 
The Birth of Jesus, Pietro Cavallini, 1291 (mosaic) Rome, Santa Maria Trastevere. Cavallini (c. 1250 – c. 1330) was an Italian painter and mosaic designer working during the late Middle Ages. His work demonstrates an artistic style known as Roman naturalism.
"Walt once said, 'If we can dream it, we can do it.' Then he showed the world how to give cartoons a heart, make an animated feature film, and build Disneyland. Experts bet on his failure at every turn. When Walt did encounter major setbacks he had a way of turning them into a success." -- excerpt from "Walt Disney, The American Dreamer" by Tom Tumbusch.
"Charley Harper (August 4, 1922 - June 10, 2007) was a Cincinnati-based American Modernist artist. He was best known for his highly stylized wildlife prints, posters and book illustrations. In a style he called "minimal realism", Harper captured the essence of his subjects with the fewest possible visual elements."
It's movie-art time again! Today on "Ain't It Cool News" I found production and promo art for "The Dark Knight", plus a link to the webpage of the artist. I'm sorry to admit that I've never heard of this artist before, but at least I know about him now. He's done comics, movies, trading cards, album covers, and much more. Sienkiewicz uses a wide variety of styles and media to convey the feel of each subject, genre, and client, as the case may be. Definitely an artist to learn from.
With the second X-Files movie premier approaching this month, it looks like there will be a revival of the comics as well. The graphics look good, and intriguing enough for me to plan on checking this weekend with my comic store down the street as to the release date. :-) See more details here at the EW site:
Sure you have, even if you don't know it (and if you're old enough). "Googie" is the name given to the space-aged style design of commercial architecture in the mid 20th century, that reflected the zeitgeist of our overall futuristic mindset. Think of the Jetsons, and you get the idea. This style of architecture began and expanded mostly on the West Coast, but can be seen here and there (where it hasn't been torn down already) across the United States. Googie grew out of the streamline style, and mutated into the various shapes of stars, boomerangs, amoebas, flying saucers, rockets, and other popular images that evoked our intended future in space and beyond. Some of the best examples are coffee shops, motels, gas stations (see above, Palm Springs), fast food joints, and bowling alleys. Even McDonald's original golden arches were a part of the early Googie style, similar to the LAX building. Many futuristic Googie styles were also born at the Seattle and New York World's Fairs and copied around the U.S.
The sweeping arches and jutting supports seemed to defy gravity and make customers feel as if they were next to, or inside of, a hovering spacecraft. Suddenly new buildings were sporting alien looking spires or floating parabolic rooftops. Even churches, especially Protestant, got into a (albeit subtle) futuristic mood resulting in some very ethereal houses of worship. And they were mostly made of clunky flagstone, concrete, and steel, mind you -- not the lightweight composite materials available today -- with lots of glass. This made the eerie floating effect of the designs seem all the more intriguing because of the contradicting heaviness of the materials. Designers had a lot of fun with lettering as well. Text hovered all over the signage, and resembled bubbles, stars, and other heavenly objects of our imagined birthright to the universe. Colors used were often the popular shades of the 50's -- mint green, melon, turquoise -- but when outer space was put into the mix, any bright neon colors on the background of dark blue space were appropriate.
Unfortunately most of these funky space-aged works of art have either been left to deteriorate on vacated lots, or are being systematically demolished, to be replaced by the bland imagination-less buildings (or the self-important gargantuas of New Las Vegas) currently popular today. Thankfully there are local organizations springing up to attempt to save these artifacts of the spirited era that conceived them, but many of the best have been lost. So go out and find some Googieness where you live, and take a few pictures just in case it won't be there very much longer.
http://en.wikipedia.org/wiki/Googie
A good book on Googie history:

I saw an exhibit of Michael Light's (Full Moon, etc.) at the Knoxville Art Museum that I had forgotten to add this blog, until seeing the new Indiana Jones movie reminded me (also, Ohighway's book blog entry reminded me the second time, thanks!) Light has revived and reprinted archival images from government prints and negatives, and put together a large book and exhibit displaying the visual awe, wonder, and terror of nuclear bomb test clouds and plumes.