Monday, June 9, 2008
The sweeping arches and jutting supports seemed to defy gravity and make customers feel as if they were next to, or inside of, a hovering spacecraft. Suddenly new buildings were sporting alien looking spires or floating parabolic rooftops. Even churches, especially Protestant, got into a (albeit subtle) futuristic mood resulting in some very ethereal houses of worship. And they were mostly made of clunky flagstone, concrete, and steel, mind you -- not the lightweight composite materials available today -- with lots of glass. This made the eerie floating effect of the designs seem all the more intriguing because of the contradicting heaviness of the materials. Designers had a lot of fun with lettering as well. Text hovered all over the signage, and resembled bubbles, stars, and other heavenly objects of our imagined birthright to the universe. Colors used were often the popular shades of the 50's -- mint green, melon, turquoise -- but when outer space was put into the mix, any bright neon colors on the background of dark blue space were appropriate.
Unfortunately most of these funky space-aged works of art have either been left to deteriorate on vacated lots, or are being systematically demolished, to be replaced by the bland imagination-less buildings (or the self-important gargantuas of New Las Vegas) currently popular today. Thankfully there are local organizations springing up to attempt to save these artifacts of the spirited era that conceived them, but many of the best have been lost. So go out and find some Googieness where you live, and take a few pictures just in case it won't be there very much longer.
A good book on Googie history:
Monday, June 2, 2008
From his website/book: "A Note On The Photographs - The images in this book show U.S. atomic detonations from the era of above-ground nuclear testing, which lasted from July 16, 1945 to November 4, 1962. In that time, the United States conducted 216 nuclear tests in the atmosphere and oceans, and the Soviet Union conducted 217."
For the exhibit, the prints are enlarged to an average of 2'x3' feet in size, and the beauty of atomic energy itself is very evident. It's easy to understand why people who lived in Las Vegas used to go to the edge of town to watch the blasts, back in the day. The visual effects are amazing, and in the night images one can imagine how it might look to see stars being born in outer space when gazing at all that shining power. Back here on earth though, that power can be very detrimental. The exhibit was non-judgemental politically though, as far as I could tell. Light merely presents the glowing test blasts and clouds as they are, at the point of capture by various government personnel. For the moment his website is being revamped, and the images of the "100 Suns" book are not available. Next time you are in the book store, see if they have it, it's an amazing collection of images.